The clarification given in Novex Communications Pvt Ltd. v. Trade Wings Hotels Limited, that owners of sound recordings can issue licenses without registering as a copyright society, is significant as it has created a lot of momentum in the music licensing space in India. Various entities, engaged in the...
PAHARI PERFORMING RIGHTS ASSOCIATION FILES APPLICATION FOR REGISTRATION AS A COPYRIGHT SOCIETY FOR MUSICAL WORK AND LYRICS
Anushree Rauta -
The Copyright Office vide public notice dated February 18, 2022, notified that the Pahari Performing Rights Association has filed an application for registration as a copyright society under Section 33 of the Copyright Act, 1957 for carrying out business of issuing or granting license in respect of musical works...
INDIAN WEDDING CEREMONIES COPYRIGHT INFRINGEMENT CASE: PPL WITHDRAWS SUIT IN VIEW OF AMICABLE SETTLEMENT; COURT APPOINTED EXPERT DR. ARUL GEORGE SCARIA’S REPORT TAKEN ON RECORD
Anushree Rauta -
In the much-awaited decision which would have had a tremendous precedential value determining the scope of fair use exceptions of use of music in wedding ceremonies under Section 52(1)(za), the matter has been withdrawn by PPL in view of an amicable settlement arrived at between the plaintiff Phonographic Performance...
DELHI HIGH COURT DIRECTS TELEGRAM TO DISCLOSE DETAILS ABOUT CHANNELS VIOLATING COPYRIGHT LAW- JUDGE SAYS THAT SERVERS BEING LOCATED IN SINGAPORE IS NOT A GET-OUT CLAUSE
Anusha Das -
The Delhi High Court on August 30, 2022 directed mobile messaging platform ‘Telegram’ to disclose details such as devices, mobile numbers and internet protocol addresses used to operate channels involved in copyright infringement cases. Read order here.
The Court was hearing a suit filed by a teacher Neetu Singh (“Plaintiff’”),...
I keep checking the Indian copyright office website every now and then hoping to see a ‘NEW’ flash on their home page.
The last ‘NEW’ flash on their website is of August 14, 2018 with an advertisement for appointment of technical member in IPAB. Looks like no amount of advertising...
MORALIZATION OF CONTENT: CONSTRUCTING POPULAR SUBJECTIVITY OR DECONSTRUCTING COPYRIGHT ETHOS?
Lokesh Vyas -
Martin R. Lemieux’s famous quote “All in the eye of the beholder - Some of the most destructive forces in the world (Fire & Water), can also have the power of beauty.” can have multiple interpretations, however, I see this as epitomizing the beauty of subjectivism and rationalism. It...
BREAKING: IPAB APPOINTMENTS OF TECHNICAL MEMBERS FOR COPYRIGHT, TRADEMARK AND PATENTS APPROVED BY DPIIT
Anushree Rauta -
The Department for Promotion of Industry and Internal Trade (DPIIT) has vide notification dated July 21, 2020 approved the following proposals for appointment to the posts of Technical member (Patents), Technical Member (Trademarks) and Technical Member (Copyrights) in IPAB for a period of four years.
Read notification: here
Sr. NO
Name
Technical Member...
IPRMENTLAW IN COLLABORATION WITH CREATIVE FIRST AND FICCI LAUNCHES HANDBOOK ON COPYRIGHT
Anushree Rauta -
We are pleased to announce that IPRMENTLAW in collaboration with Creative First and FICCI has launched its first handbook "Copyright 101- A Handbook on Copyright for Content Creators and Owners'.
Link to the handbook: Copyright 101_Handbook
The Handbook is a useful compendium for content creators and owners in the media and...
A decade ago on this very day, the Copyright Amendment Act of 2012 came into effect. This amendment brought with it some sea changes which changed the landscape of the way the media and entertainment industry especially the music industry was functioning. As we celebrate the tenth year of...
GUEST POST: SUDARSHAN MJ: LIGHTS, CAMERA, COPYRIGHT: CURTAINS CLOSE ON THE ISSUE OF COPYRIGHT OWNERSHIP IN THE SCREENPLAY OF SATYAJIT RAY’S FILM ‘NAYAK’
Anushree Rauta -
Recently, the Delhi High Court in RDB & Co. HUF vs. Harper Collins, summarily rejected the Plaintiff’s prayer to restrain the Defendant, i.e. Harper Collins, from novelising the screenplay of the popular Bengali film ‘Nayak’, which was written and directed by Satyajit Ray. Placing reliance on Section 13(4) of...