MORALIZATION OF CONTENT: CONSTRUCTING POPULAR SUBJECTIVITY OR DECONSTRUCTING COPYRIGHT ETHOS?
Lokesh Vyas -0
Martin R. Lemieux’s famous quote “All in the eye of the beholder - Some of the most destructive forces in the world (Fire & Water), can also have the power of beauty.” can have multiple interpretations, however, I see this as epitomizing the beauty of subjectivism and rationalism. It...
REVISITING SETTLED TENETS OF INDIAN COPYRIGHT LAW: ALLAHABAD HC’S REFUSAL TO STAY RELEASE OF THE FILM ‘CHEHRE’
Angad Makkar -
The Allahabad High Court’s recent decision in Uday Prakash v. Anand Pandit and Anr. was particularly illuminative with respect to certain established principles under Indian copyright law, while also shedding light on the procedural requirements in a quia timet action and applications for temporary injunctions. The Court herein...
TO REGISTER OR NOT TO REGISTER: A CURIOUS CASE OF “SANJAY SOYA PVT LTD V. NARAYANI TRADING COMPANY” – PART 2
Lokesh Vyas -
(This post is co-authored by Umang Sethi, a fourth year student from Institute of law Nirma University.)
The first part of the post analyzed case and highlighted some crucial parts of the case that require further scrutiny. The present post will look at the policy implications for mandatory copyright registration...
DELHI HIGH COURT RULES IN FAVOUR OF T SERIES & SAREGAMA IN COPYRIGHT INFRINGEMENT CASE AGAINST RADIO BROADCASTERS FOR VIOLATION OF RULE 29 OF COPYRIGHT RULES [READ JUDGEMENT]
Anushree Rauta -
T Series and Saregama had filed independent copyright infringement suits against several radio broadcasters for violating the provisions under Rule 29 of the Copyright Rules, 2013 while invoking their statutory license in furtherance of the IPAB judgement dated 31st December 2020.
The Delhi High Court vide its order dated 9th...
PAHARI PERFORMING RIGHTS ASSOCIATION FILES APPLICATION FOR REGISTRATION AS A COPYRIGHT SOCIETY FOR MUSICAL WORK AND LYRICS
Anushree Rauta -
The Copyright Office vide public notice dated February 18, 2022, notified that the Pahari Performing Rights Association has filed an application for registration as a copyright society under Section 33 of the Copyright Act, 1957 for carrying out business of issuing or granting license in respect of musical works...
On November 20, 2019 the media and entertainment industry woke up to the breaking news about FIR being filed by Economic Offences Wing (EOW) against one of India’s leading film studio and music label YRF (Yash Raj Films).
The news read as under:
“The Economic Offences Wing (EOW) of the Mumbai...
GUEST POST: SIDDHANT SANGHAVI: TEXT-TO-IMAGE WORKS: AI, HUMANS AND COPYRIGHT COMPLICATIONS
Lokesh Vyas -
AI-generated artwork has been on the rise for quite some time with varied experiments such as Walter Thompson’s The Next Rembrandt and Obvious’ Edmond De Balamy both of which required a sophisticated software specially designed for this purpose, a varied dataset and a collective of intellectuals all working towards...
Introduction: A Tale of Two Rights
Copyright Act, 1957 provides two kinds of rights for the authors - 1.) economic rights (Section 13), and 2.) moral rights (these are ‘Special’ rights as per Section 57). Both these kinds have separate jurisprudential backings (we explained something here). The former is majorly...
The Bombay HC has recently gone on to admit a recent petition filed in lieu of the issue of subsistence of copyright in old traditional songs in various languages. As reported herein, a complaint had been filed in the form of an FIR at the Malad police station in...
IPRMENTLAW IN COLLABORATION WITH CREATIVE FIRST AND FICCI LAUNCHES HANDBOOK ON COPYRIGHT
Anushree Rauta -
We are pleased to announce that IPRMENTLAW in collaboration with Creative First and FICCI has launched its first handbook "Copyright 101- A Handbook on Copyright for Content Creators and Owners'.
Link to the handbook: Copyright 101_Handbook
The Handbook is a useful compendium for content creators and owners in the media and...