IPRS PRESS RELEASE: THE INDIAN PERFORMING RIGHT SOCIETY LTD. (IPRS) CLARIFIES THEIR STAND ON TARIFF FOR “LIVE STREAMING OF ONLINE EVENTS”
Anushree Rauta -2
The Indian Performing Right Society Ltd. (IPRS) has taken note of inputs and concerns expressed by Singers, Artistes, Friends, Colleagues and Well Wishers, about the proposed IPRS Tariff for “Live Streaming of Online Events”.
By way of clarification, the Tariff was not slated to come into force until it was...
TO REGISTER OR NOT TO REGISTER: A CURIOUS CASE OF “SANJAY SOYA PVT LTD V. NARAYANI TRADING COMPANY” – PART 2
Lokesh Vyas -
(This post is co-authored by Umang Sethi, a fourth year student from Institute of law Nirma University.)
The first part of the post analyzed case and highlighted some crucial parts of the case that require further scrutiny. The present post will look at the policy implications for mandatory copyright registration...
IPRS vs VODAFONE: Vodafone Liable To Pay Royalties To Authors, For Use of Literary and Musical Works
Savan Dhameliya -
Introduction
The case of The Indian Performing Right Society Ltd v. Vodafone Idea Ltd., is a significant ruling for the music industry containing critical aspects of the rights of authors to receive royalties, and particularly concerning the use of literary and musical works in telecommunications.
The Calcutta High Court, in its...
ZEE SUES MUSICAL.LY OVER COPYRIGHT INFRINGEMENT: THE SAGA OF INTERMEDIARY LIABILITY CONTINUES
Anushree Rauta -
By Hiral Chheda
UPDATE: ZEE ENTERTAINMENT ENTERPRISES LIMITED V. MUSICAL.LY, INC. & ORS.
In a recent development, Zee Entertainment Enterprises Limited (“Zee”) has filed a suit in the High Court of Delhi against the popular Chinese video content and online sharing APP ‘Musical.ly, Inc.’ (“Musical.ly”). Zee has sought for a...
I am pleased to bring to you our next guest post by Anusha Das, a final year student at Rajiv Gandhi National University of Law, Punjab. Anusha has keen interest in copyright, trademark and media laws and enjoys keeping close tabs on developments in the field. In the course...
Author: Neha Bhambhani
Introduction
India’s cultural memory is being rewritten in real-time through music. The songs that were preserved on tapes and cassettes in the 1960s are now global digital assets. Today, they are being streamed online in the form of short videos, advertisements, and remixes, which can be licensed...
I urge you not to draw conclusions without reading this entire post. The intent is not to derail any entity but to have an open discussion on imminent issues daunting the entire media and entertainment industry especially when the lawyers of each side are gearing up for decade long...
(This post is co-authored with Sneha Jain, Partner, Saikrishna & Associates)
The scope of copyright liability of Generative AI (‘genAI’) models is a hot topic globally. Copyright issues that stem out of genAI technology can be categorized into four heads. All the litigations in the United States form a part...
PARLIAMENTARY STANDING COMMITTEE ON COMMERCE RECOMMENDS AMENDMENT TO SECTION 31D TO INCORPORATE INTERNET/ DIGITAL BROADCASTING: LEVEL PLAYING FIELD OR DISRUPTION?
Anushree Rauta -
The Department related Parliamentary Standing Committee on Commerce submitted its 161st Report on Review of the Intellectual Property Regime in India. Read report here.
The Committee has recommended to amend Section 31D of the Copyright Act, 1957 for incorporating ‘internet or digital broadcasters’ under statutory license in wake of the...
GUEST POST: UJJAWAL BHARGAVA: THE SCRAPPING OF IPAB AND EXTENSION OF ITS CHAIRMAN: WHERE DOES THEIR FATE LIE?
Lokesh Vyas -
We are pleased to bring to you our next guest post by Ujjawal Bhargava, fourth-year student of the Institute of Law, Nirma University, Ahmedabad. Ujjawal has a keen interest in the subject of Intellectual Property, specifically copyright and trademark laws. He has written for us earlier here and here.
INTRODUCTION
Recently, the Indian...


















