LINK LIABILITY: DEVELOPING EASIER INTERNET ACCESS AND BATTLING COPYRIGHT CONCERNS
Anushree Rauta -0
By Anushka Verma
With the exponential growth of the World Wide Web, our lives have changed from having internet as a part of it to becoming a part of the internet ourselves. Almost all aspects of our lives are interconnected to the internet. The WWW itself has now become a...
TO REGISTER OR NOT TO REGISTER: A CURIOUS CASE OF “SANJAY SOYA PVT LTD V. NARAYANI TRADING COMPANY” – PART 1
Lokesh Vyas -
This is a two parts post. The first part discusses the judgment of the Bombay High Court and the second part analyses the policy implications of Copyright Registration and proposes certain recommendations in this regard.
Copyright Registration: A Convolutional Need?
Question: “Is it necessary to register a work to claim copyright?”...
THE IMPLICATIONS OF RDB & CO. V. HARPERCOLLINS INDIA JUDGEMENT AND THE POSSIBLE NEED TO REVISIT THE DEFINITION OF A ‘CINEMATOGRAPH FILM’
Siddhant Sanghavi -
On the 23rd of May, Justice C. Hari Shankar of the Delhi High Court while dealing with the matter of RDB and Co. v. Harper Collins India Pvt. Ltd. regarding the ownership of copyrights to the screenplay of 1996 film ‘Nayak’ held that the first owner of the copyright...
AIFCC FILES APPLICATION FOR REGISTRATION AS A COPYRIGHT SOCIETY FOR ALL UNDERLYING WORKS IN A CINEMATOGRAPH FILM/ SOUND RECORDING
Anushree Rauta -
The Copyright Office vide public notice dated October 27, 2021, notified that the All India Film Chamber of Commerce (AIFCC) has filed an application for registration as a copyright society under Section 33 of the Copyright Act, 1957 for carrying out business of issuing or granting license in respect...
In Arijit Singh v. Codible Ventures LLP, the Bombay High Court restrained third parties, such as AI platforms, restaurants, merchandise sellers, virtual music events, etc., from violating the personality rights of the renowned Bollywood singer Arijit Singh.
These entities were restrained from using Arijit Singh’s name, voice / vocal style...
FROM (TO BE) CREATORS TO CREATORS: THE STORY OF BALANCE BETWEEN SELF AND OTHER- FOR A “HAPPY FAIR USE/ FAIR DEALING/ PUBLIC INTEREST WEEK”
Lokesh Vyas -
(Drafted by Lokesh Vyas, Angad Makkar and Akshat Agrawal -contributors to IPRMENTLAW. Special thanks to Anushree Rauta and the whole IPRMENTLAW team for their beautiful balancing ideas.)
Note: The article offers a lot of paradoxes to understand IP and the role of fair use in it, so read it carefully...
REPORT: IPRMENTLAW VIRTUAL CONFERENCE – JUNE 21 2020; TOPIC: NEED TO REVAMP THE COPYRIGHT ACT?
Akshat Agrawal -
On the occasion of the Copyright Amendment Act, 2012, we at IPRMENTLAW conducted the biggest copyright virtual conference.
Link to the recording of the conference: here
PANELISTS: (See details here)
Guest of honor: Mr. Raghavendra G.R (Joint Secretary, Department of Justice, Ministry of Law)
Keynote speaker: Mr. Blaise Fernandes (President, Indian Music Industry)
Industry...
Hello Readers,
You might have read about the recent Ranjhana rift. I have a few things to say about that, not on the legal issue per se, but on the much-bandied idea of change of meaning after release.
As I reflect on Raanjhanaa controversy — where both the director and the...
RE-WRITING OF RULES ON STATUTORY LICENSE MANDATING PRIOR NOTICE BY MADRAS HIGH COURT
Pranita Saboo -
Introduction:
The concept of statutory licensing was introduced in the Copyright Act vide the 2012 amendments, however, it received its actual opportunity of practical application in 2020, after the applications for statutory licensing of sound recordings were filed by the radio broadcasters before the IPAB.
The order dated 31.12.2020 passed by...
I am delighted to announce that we at IPRMENTLAW are conducting for the first time ever, the biggest virtual roundtable conference on June 21, 2020 at 4.30pm on the occasion of the Copyright Amendment Act, 2012 completing eight years, topic being ‘Need to revamp the Copyright Act?’.
In 2010, I...




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