MORALIZATION OF CONTENT: CONSTRUCTING POPULAR SUBJECTIVITY OR DECONSTRUCTING COPYRIGHT ETHOS?
Lokesh Vyas -0
Martin R. Lemieux’s famous quote “All in the eye of the beholder - Some of the most destructive forces in the world (Fire & Water), can also have the power of beauty.” can have multiple interpretations, however, I see this as epitomizing the beauty of subjectivism and rationalism. It...
The Bombay High Court vide its order dated May 22, 2020 refused to grant any ad-interim reliefs to the plaintiffs Sameer Wadekar and Mahesh Gosavi in their copyright infringement claim against Netflix, Red Chillies, director and writer of the Series, where the plaintiffs claimed that the web series infringed...
This article is written by Lokesh Vyas and Angad Makkar.
Background
On April 4, 2021, the Tribunals Reforms (Rationalisation and Conditions of Service) Ordinance, 2021 (“the Tribunals Ordinance”) was promulgated which dissolved certain existing appellate bodies and transferred their functions (such as adjudication of appeals) to other existing judicial bodies. A...
Delhi High Court Upholds the Constitutionality of Rules Relating to Tariff Schemes of Copyright Societies Under the Copyright Rules, 2013
Anushree Rauta -
In a rather detailed judgment dated May 28th, 2018, a Division Bench of the Delhi High Court has upheld the constitutionality of certain provisions of the Copyright Rules, 2013 in the matter of Anand Bhushan & Ors. v. Union of India.
To give a brief background: In 2013, a writ petition was filed in...
REMAKE RIGHTS UNDER INDIAN COPYRIGHT LAW: INTRICACIES AND IMPLICATIONS OF MADRAS HC’S ‘VAALEE’ VERDICT
Lokesh Vyas -
Before-Background
All authors can be owners but not all owners can be authors, except producers. You may mind - why producers are more equal than others, or more subtly, why do they get such peachy privilege? Simply, because the statute says so! But why does the statute say so -...
GUEST POST: GAURAV CHOURASIA-THE PAPARAZZI PARADOX – JENNIFER LOPEZ SUED BY A PHOTOGRAPHER FOR COPYRIGHT INFRINGEMENT
Anushree Rauta -
We are pleased to bring our next guest post by Gaurav Chourasia who is currently a 3rd-year law student at Hidayatullah National Law University, Raipur and is keenly interested in IPR, Media & Entertainment laws, and Sports laws.
In the Entertainment Industry, disputes related to copyright infringement are very common...
INDIAN WEDDING CEREMONIES COPYRIGHT INFRINGEMENT CASE: PPL WITHDRAWS SUIT IN VIEW OF AMICABLE SETTLEMENT; COURT APPOINTED EXPERT DR. ARUL GEORGE SCARIA’S REPORT TAKEN ON RECORD
Anushree Rauta -
In the much-awaited decision which would have had a tremendous precedential value determining the scope of fair use exceptions of use of music in wedding ceremonies under Section 52(1)(za), the matter has been withdrawn by PPL in view of an amicable settlement arrived at between the plaintiff Phonographic Performance...
NLSIU- IMI Roundtable Communiqué
September 26, 2019
The NLSIU-IMI Roundtable on Unlocking Fair Value to Stakeholders took place in National Law School of India University (“NLSIU”) on September 5, 2019.
The Roundtable consisted of stakeholders from the Media and Entertainment industry in India, including esteemed experts from International Federation of the Phonographic...
I am pleased to bring to you our next guest post by Anusha Das, a final year student at Rajiv Gandhi National University of Law, Punjab. Anusha has keen interest in copyright, trademark and media laws and enjoys keeping close tabs on developments in the field. In the course...
GOVERNMENT INVITES COMMENTS ON REGISTRATION OF SCREENWRITERS RIGHTS ASSOCIATION OF INDIA (SRAI) AS A COPYRIGHT SOCIETY [READ PUBLIC NOTICE]
Anushree Rauta -
The Copyright Office vide its public notice dated November 27, 2020 has invited for objections/ comments, if any from public/ stakeholders, in respect of application filed by Screenwriters Rights Association of India (SRAI) for registration as a copyright society under Section 33 of the Copyright Act in literary and...