UPDATE: IPRS VS ENIL- APPEAL FILED- DELHI HIGH COURT HOLDS THAT SINGLE BENCH DECISION NOT TO BE CITED AS A PRECEDENT IN ANY PROCEEDINGS UNTIL FURTHER ORDERS
Anushree Rauta -0
In an appeal filed by IPRS before Delhi High Court against the single bench decision passed by Justice Endlaw on January 4, 2021, the division bench of Justice Manmohan and Justice Asha Menon on January 14, 2021 issued notice and held that until further orders, the single bench decision...
I am delighted to announce that we at IPRMENTLAW are conducting for the first time ever, the biggest virtual roundtable conference on June 21, 2020 at 4.30pm on the occasion of the Copyright Amendment Act, 2012 completing eight years, topic being ‘Need to revamp the Copyright Act?’.
In 2010, I...
PARLIAMENTARY STANDING COMMITTEE ON COMMERCE RECOMMENDS AMENDMENT TO SECTION 31D TO INCORPORATE INTERNET/ DIGITAL BROADCASTING: LEVEL PLAYING FIELD OR DISRUPTION?
Anushree Rauta -
The Department related Parliamentary Standing Committee on Commerce submitted its 161st Report on Review of the Intellectual Property Regime in India. Read report here.
The Committee has recommended to amend Section 31D of the Copyright Act, 1957 for incorporating ‘internet or digital broadcasters’ under statutory license in wake of the...
REPORT: IPRMENTLAW VIRTUAL CONFERENCE – JUNE 21 2020; TOPIC: NEED TO REVAMP THE COPYRIGHT ACT?
Akshat Agrawal -
On the occasion of the Copyright Amendment Act, 2012, we at IPRMENTLAW conducted the biggest copyright virtual conference.
Link to the recording of the conference: here
PANELISTS: (See details here)
Guest of honor: Mr. Raghavendra G.R (Joint Secretary, Department of Justice, Ministry of Law)
Keynote speaker: Mr. Blaise Fernandes (President, Indian Music Industry)
Industry...
COPYRIGHT AND THE “BUSINESS OF ISSUING LICENSES”: IP’S LEVIATHAN FROM INDIA- Analysis of the Madras HC judgment in Novex Communications Pvt. Ltd. v. DXC Technology and ors.
Akshat Agrawal -
In a very interesting precedent from the Madras High Court, M/s Novex Communications Pvt. Ltd., a company which sometimes acts as an “agent” and sometimes “owner” of the right to “on ground performances” of the catalogues of several music labels (contracts available on its website here), has lost its...
Performers rights conundrum – Patiala House Court, Delhi clarifies on several controversial issues
Anushree Rauta -
In June, 2018 there was an interesting judgement passed by the Patiala House Court, Delhi in relation to performers rights. A judgement which if relied on by any of the higher courts would be catastrophic for ISRA (Indian Singers Rights Association) and performers claiming right to receive royalties in...
Delhi High Court Upholds the Constitutionality of Rules Relating to Tariff Schemes of Copyright Societies Under the Copyright Rules, 2013
Anushree Rauta -
In a rather detailed judgment dated May 28th, 2018, a Division Bench of the Delhi High Court has upheld the constitutionality of certain provisions of the Copyright Rules, 2013 in the matter of Anand Bhushan & Ors. v. Union of India.
To give a brief background: In 2013, a writ petition was filed in...
DELHI HIGH COURT RULES IN FAVOUR OF T SERIES & SAREGAMA IN COPYRIGHT INFRINGEMENT CASE AGAINST RADIO BROADCASTERS FOR VIOLATION OF RULE 29 OF COPYRIGHT RULES [READ JUDGEMENT]
Anushree Rauta -
T Series and Saregama had filed independent copyright infringement suits against several radio broadcasters for violating the provisions under Rule 29 of the Copyright Rules, 2013 while invoking their statutory license in furtherance of the IPAB judgement dated 31st December 2020.
The Delhi High Court vide its order dated 9th...
Finally, it’s time when the court, as in the case of IPRS v. Eastern India Motion Pictures (1977 AIR 1443), will have to revisit the concept of copyright infringement in underlying musical works incorporated in a cinematographic film. The status quo however varies from the position back in 1977...
Author: Neha Bhambhani
Introduction
India’s cultural memory is being rewritten in real-time through music. The songs that were preserved on tapes and cassettes in the 1960s are now global digital assets. Today, they are being streamed online in the form of short videos, advertisements, and remixes, which can be licensed...





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