RE-WRITING OF RULES ON STATUTORY LICENSE MANDATING PRIOR NOTICE BY MADRAS HIGH COURT
Pranita Saboo -0
Introduction:
The concept of statutory licensing was introduced in the Copyright Act vide the 2012 amendments, however, it received its actual opportunity of practical application in 2020, after the applications for statutory licensing of sound recordings were filed by the radio broadcasters before the IPAB.
The order dated 31.12.2020 passed by...
PPL MOVES DELHI HIGH COURT AGAINST GOVERNMENT ORDER THAT REJECTED ITS RE- REGISTRATION APPLICATION
Harshil Dureja -
(This post has been co-authored by Harshil Dureja and Anushree Rauta)
Phonographic Performance Limited (PPL) (petitioner) is a collective rights organization licensing its members’ sound recordings for communication to public in the areas of public performance and radio broadcast. PPL owns and/or controls the Public Performance rights of some of...
I am delighted to announce that we at IPRMENTLAW are conducting for the first time ever, the biggest virtual roundtable conference on June 21, 2020 at 4.30pm on the occasion of the Copyright Amendment Act, 2012 completing eight years, topic being ‘Need to revamp the Copyright Act?’.
In 2010, I...
IPRS vs VODAFONE: Vodafone Liable To Pay Royalties To Authors, For Use of Literary and Musical Works
Savan Dhameliya -
Introduction
The case of The Indian Performing Right Society Ltd v. Vodafone Idea Ltd., is a significant ruling for the music industry containing critical aspects of the rights of authors to receive royalties, and particularly concerning the use of literary and musical works in telecommunications.
The Calcutta High Court, in its...
The Copyright Amendment Act, 2012 came into effect on June 21, 2012. As our beloved Copyright Amendment Act, 2012 turns six today, here is what our industry experts have to say:
Ashish Chandra, Director - Technology & Transactions, Netflix India*-
“These were very progressive and forward-looking amendments at that time....
Finally, it’s time when the court, as in the case of IPRS v. Eastern India Motion Pictures (1977 AIR 1443), will have to revisit the concept of copyright infringement in underlying musical works incorporated in a cinematographic film. The status quo however varies from the position back in 1977...
NLSIU- IMI Roundtable Communiqué
September 26, 2019
The NLSIU-IMI Roundtable on Unlocking Fair Value to Stakeholders took place in National Law School of India University (“NLSIU”) on September 5, 2019.
The Roundtable consisted of stakeholders from the Media and Entertainment industry in India, including esteemed experts from International Federation of the Phonographic...
REPORT: IPRMENTLAW VIRTUAL CONFERENCE – JUNE 21 2020; TOPIC: NEED TO REVAMP THE COPYRIGHT ACT?
Akshat Agrawal -
On the occasion of the Copyright Amendment Act, 2012, we at IPRMENTLAW conducted the biggest copyright virtual conference.
Link to the recording of the conference: here
PANELISTS: (See details here)
Guest of honor: Mr. Raghavendra G.R (Joint Secretary, Department of Justice, Ministry of Law)
Keynote speaker: Mr. Blaise Fernandes (President, Indian Music Industry)
Industry...
PARLIAMENTARY STANDING COMMITTEE ON COMMERCE RECOMMENDS AMENDMENT TO SECTION 31D TO INCORPORATE INTERNET/ DIGITAL BROADCASTING: LEVEL PLAYING FIELD OR DISRUPTION?
Anushree Rauta -
The Department related Parliamentary Standing Committee on Commerce submitted its 161st Report on Review of the Intellectual Property Regime in India. Read report here.
The Committee has recommended to amend Section 31D of the Copyright Act, 1957 for incorporating ‘internet or digital broadcasters’ under statutory license in wake of the...
This article is written by Lokesh Vyas and Angad Makkar.
Background
On April 4, 2021, the Tribunals Reforms (Rationalisation and Conditions of Service) Ordinance, 2021 (“the Tribunals Ordinance”) was promulgated which dissolved certain existing appellate bodies and transferred their functions (such as adjudication of appeals) to other existing judicial bodies. A...

















