The Bombay High Court vide its order dated May 22, 2020 refused to grant any ad-interim reliefs to the plaintiffs Sameer Wadekar and Mahesh Gosavi in their copyright infringement claim against Netflix, Red Chillies, director and writer of the Series, where the plaintiffs claimed that the web series infringed...
DELHI HIGH COURT RULES IN FAVOUR OF T SERIES & SAREGAMA IN COPYRIGHT INFRINGEMENT CASE AGAINST RADIO BROADCASTERS FOR VIOLATION OF RULE 29 OF COPYRIGHT RULES [READ JUDGEMENT]
Anushree Rauta -
T Series and Saregama had filed independent copyright infringement suits against several radio broadcasters for violating the provisions under Rule 29 of the Copyright Rules, 2013 while invoking their statutory license in furtherance of the IPAB judgement dated 31st December 2020.
The Delhi High Court vide its order dated 9th...
IMPACT OF THE REPEALING AND AMENDING (SECOND) ACT, 2017 APROPOS COPYRIGHT AMENDMENT ACT, 1999 AND 2012- ONLY AN EDITORIAL REVISION
Anushree Rauta -
Prashant Reddy’s post on Spicy IP titled ‘Parliament repeals the Copyright (Amendment) Act, 1999 and Copyright (Amendment) Act, 2012: What effect will it have on the Copyright Act?’ took many of us by surprise as to the ramifications this would have on the media and entertainment industry.
In this post,...
T-SERIES MOVES DELHI HIGH COURT AGAINST RELEVANT E-SOLUTIONS, TIGER GLOBAL, BERTELSMANN AND INMOBI FOR COPYRIGHT INFRINGEMENT OF THEIR WORKS ON THE MOBILE APP ‘ROPOSO’ [READ ORDER]
Anushree Rauta -
Roposo, a video sharing service backed by global venture capitalists Tiger Global and Bertelsmann as lead investors has been sued before the Delhi High Court by T-Series, for violation of copyright in thousands of its songs.
T-Series asserted that Roposo has been violating its copyrighted content in a number of...
Introduction: A Tale of Two Rights
Copyright Act, 1957 provides two kinds of rights for the authors - 1.) economic rights (Section 13), and 2.) moral rights (these are ‘Special’ rights as per Section 57). Both these kinds have separate jurisprudential backings (we explained something here). The former is majorly...
A decade ago on this very day, the Copyright Amendment Act of 2012 came into effect. This amendment brought with it some sea changes which changed the landscape of the way the media and entertainment industry especially the music industry was functioning. As we celebrate the tenth year of...
MORALIZATION OF CONTENT: CONSTRUCTING POPULAR SUBJECTIVITY OR DECONSTRUCTING COPYRIGHT ETHOS?
Lokesh Vyas -
Martin R. Lemieux’s famous quote “All in the eye of the beholder - Some of the most destructive forces in the world (Fire & Water), can also have the power of beauty.” can have multiple interpretations, however, I see this as epitomizing the beauty of subjectivism and rationalism. It...
Guest post: Ankit Relan- Mashups, Cover Versions and all that Jazz under the Indian Copyright Law
Anushree Rauta -
I am pleased to bring to you our first guest post by Ankit Relan. Ankit Relan, is a practicing attorney in the Delhi High Court, and represents some of the biggest names in the film and music industry in India. He handles the copyright and technology law practice at...
For those interested, here is a transcript of the full oral arguments that transpired at the US Supreme Court on 7/10/2020 and here is an audio of the same. If you wish to briefly understand my perspective on US software copyrights, check out Part 1.
BRIEF BACKGROUND TO THE DISPUTE
This...
I. Introduction
On March 30th, 2021, the Central Government notified the Copyright (Amendment) Rules, 2021. A draft of these rules were released two years ago for public comments (you may read our article covering the 2019 draft here).
II. Key Changes
1. The 2021 amendment replaces ‘Copyright Board’ with ‘Appellate Board’...